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Tuesday, 1 September 2026 · Dublin edition

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G The Guardian · Licensed syndication

Pin de Fartie review – spoonerist remix of Samuel Beckett’s Endgame finds fresh absurdity in Argentina

Beckett’s masterpiece is given a postmodern cinema slant, with characters in different locations, music and humour in a free and fanciful interpretationRemember remixes? Where you take a song and swap out parts of it with new…

Originally published by The Guardian1 September 2026, 06:00Source summary
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