A returning British soldier is haunted by his time in Palestine in this panoramic epic set after the second world war
Sebastian Faulks’s latest book focuses on the most irreconcilable geopolitical struggle of our age, the Israel-Palestine conflict. While “the sound of mortar and machine gun, the collision of flesh and metal” are integral to Faulks’s best known works, such as Birdsong, in his 17th novel the military presence is a peacekeeping one. It’s 1946 and infantry officer Philip Deval, who saw action in Normandy, is deployed to the Holy Land to take part in maintaining Britain’s mandate in Palestine. Initially Philip is second in command of a battalion overseeing febrile relationships between Jewish and Arab communities. Britain’s profound failures and manipulation in the region, and the imminence of its disastrous departure from the territory, come under scrutiny.
While able to drum up motivation and cheer for the men in his battalions, privately Philip wrestles with inner melancholy. He is “shrouded” in a “loneliness … that insulates him from the world”. Experiences on the battlefield and other, slowly elucidated tragedies have led to his pessimistic bent. Much of what Philip observes in the Middle East, and his “foreboding” sense of its intractable problems, only confirms his despairing sense of human nature. It also underlines his ambivalence towards notions of divine benevolence.