Royal Albert Hall, London
Gwilym Simcock’s concerto – written for Sheku Kanneh-Mason, Ben Goldscheider and Jess Gillam (cello, horn and sax) – had problems of balance but at its best was a riot of colours and energy
BBC Young Musician has produced a whole galaxy of stars over the years, but 2016 was rather special. It was a neat idea then to commission a 10th-anniversary triple concerto for three of its finalists – cellist Sheku Kanneh-Mason, saxophonist Jess Gillam and horn player Ben Goldscheider – each of whom has gone on to a significant career. The composer of choice was Gwilym Simcock, an eclectic artist who straddles the worlds of jazz and classical music. The result was stretched to bursting with musical interest, though not without its problems.
At its best, the concerto was a riot of primary colours, with vibraphone, harp and orchestral piano – played here by Simcock himself – adding spice to the mix. The outer movements grooved, the first with a minimalist nod to Steve Reich, the finale channelling a Scottish reel. The serene central “Mesto” – the word means mournful or melancholy – was a keening lament for Simcock’s father who died during the work’s composition.